Pushpa 2 movie download: The first thing to know about ‘Pushpa 2’ is that it is not a great film. It is an action film like a typical Mumbaiya masala film. And, since it is a sequel to a hit film, its own brand value is successful in drawing the audience to the theatres. Making a sequel to a superhit film is not easy. Especially when there is no special story left to tell. The making of ‘Pushpa 2’, the film of Allu Arjun, son of Telugu cinema’s veteran director Sukumar and producer Allu Arvind, has not been easy. Due to the dates of Malayalam film actor Fahadh Faasil, the matter of this film kept getting postponed again and again. The film ends with the announcement of ‘Pushpa 3 The Rampage’ and even before this announcement, director Sukumar has removed all the weak links of the film. Shreyas Talpade’s voice is amazing
Pushparaj had raised the slogan ‘Main Nahi Jhukunga’ in his previous film ‘Pushpa the Rise’, this time he declares, ‘I will never bow down’. His wife is going to be his mother. He wants a daughter from Kali Maa so that when he goes to his in-laws’ house, he can get the family name. Pushpa has been unhappy with this family name since her childhood. Pushpa’s voice is a little harsh this time. Actor Shreyas Talpade has once again brought the character of Pushpa Raj alive on screen. The story of Pushpa Raj, who is trying to become a wild fire from a flower, starts a little backwards here. He is also seen shrinking his paws to jump, but the story of how the soft Pushpa of childhood grew up to become Gandharva Pushpa Raj, is amazing. The flirtatiousness of Mrs. Pushpa Raj i.e. Shrivalli continues here as well. She is infatuated with her husband. She is number one even in worship, she just cooks ‘non-veg’ food every time. Sukumar has made Srivalli a homely wife and to make up for the absence of Samantha Ruth Prabhu in the film, this time he has made Srileela an item girl. She neither has the sweetness of Samantha nor her agility. The kiss has become red sandalwood filled with pain. This song is the weakest link of the film.
Fafa has become useless in the sequel
Writer-director Sukumar, who kept grinding sandalwood considering Allu Arjun as Prabhuji, has been feeling that he did not get as much credit for the success of the film ‘Pushpa Van’ as Allu and Rashmika got. Rashmika succeeded in becoming the heroine of Hindi cinema’s Hero Number One Ranbir Kapoor. This time Allu Arjun’s story is the story of Pushpa Raj who has been standing on the threshold of old age since childhood and this time things are really not easy for her. This time both these actors have done wonders in crossing the line between the rowdy boy Pushpa and the leader Pushpa created by Fahadh Faasil’s entry, but Bhanwar Singh Shekhawat’s character does not do any special magic in the story. Sukumar also understood that this character is no longer an ‘asset’ for him but a ‘liability’, so he did what any capable director should do in such a situation. Rashmika Mandana has played the role of Shrivalli, who hovers around Pushparaj throughout the film. She got only one scene to show her acting skills and in that one scene, her one attack is heavier than a hundred goldsmiths.
The reverse swing of the story did wonders
Just as Sukumar had taken the story of the film ‘Pushpa the Rule’ i.e. ‘Pushpa 2’ from abroad to the red sandalwood forests via the sea through sketches, the same reverse swing is there in the story this time too. Since this film, which starts from a port in Japan, is about three hours long, the story of the film is quite long. In this expansion, Sukumar has got the help he expected from his characters. Jagdish Bhandari, Jagapathi Babu, Rao Ramesh and Brahmaji all seem adept in their roles. Last time the story was about winning Shrivalli’s heart and this time the story is about getting his mother the respect in her own house for which Pushparaj has been yearning since childhood. This time Pushpa and Bhanwar have not only thrown dice in Chaupar, but some dice are also of corrupt politics which Pushpa considers a child’s play.
Srilila faded in front of Shrivalli
The audience who came to watch the film must have had different expectations from both Rashmika and Shrivalli. There is an anger within Rashmika. This anger flows out in her acting as per the need of the character as soon as she gets a chance, but she will have to learn new ways to express this anger. Yes, the entire series of emotions is strong. But there is no depth to her character before the Jatra scene. The Jatra scene, the two consecutive songs that follow and Allu Arjun’s Tandava dance as Kaali are the most successful sequences of the film. And, after this, the climax action of the uncle setting out to save his niece also received applause. The audience wanted a kiss like Samantha in Sreeleela, but her ‘Kisik’ song did not go down well with the people.
Top class film in cinematography
In the technical team of the film, music director Devi Sri Prasad is clearly a victim of overconfidence. His weak hold on Hindi has also been exposed this time. The makers of the film also realized this weakness of DSP before its release. That is why the help of S Thaman and Sam CS has also been taken in the background score of the film. The one person in the technical team of the film, whose praise I feel like praising again and again, is Poland native cinematographer Kuba Brozek Miroslaw. The production design of the film is quite colorful. Preetsheel Singh has done a commendable job on Allu Arjun’s getup. If Naveen Nooli’s editing had been better, the film could have been at least 20 minutes shorter. The cleverness with which ‘Hanuman’ handled cinema in South Cinema this year, Nag Ashwin took it forward in ‘Kalki 2898’ and now Pushparaj has come. To ‘rule’ his region and the box office.
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